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The Gator GM12B microphone bag holds 12 microphones and fetures an exterior pocket for cables and
accessories. The GM12B is constructed of rugged 600-Denier nylon and provides a padded shoulder strap for easy
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'Dairy Police. Got a receipt for that milk-crate, son?' It could happen...If you have enough mics to fill half this road case you have an investment to protect. Built to meet or exceed ATA standards with
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Gator offers a variety of microphone cases. The GM-4 model is a soft carrying case with 4 mic drops. There is also an exterior accessory pocket that is perfect for cables and mic clips. The GM-6 is an ABS molded
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This break-resistant, swivel adapter features a soft cradle for models 849, SM48, SM57, SM58, SM87A, SM94, Beta 57A, Beta 87, 515X, 545, 565, 588SDX, and BG1.1, 2.1, 3.1, 4.1 and 5.1.For nearly 20 years, The
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The On Stage MY200 Universal Microphone Clip holds nearly any handheld microphone and is spring-loaded for convenience.
For nearly 20 years, The Music People! Inc. has been on of the nation’s
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The SP01 is theSpidershockmount for Samson's C01 condenser mic.
Also available for Samson's C03, CL7, CL8 and C01U condenser mics.
Samson: A Passion for Innovation
Now a
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The improved Music People Microphone Pop Filter easily connects to any mic stand or boom with an Easy Grip Clamp and V-shaped bracket attachment that fits onto any shaft up to 7/8-inch diameter. Includes 6-inch
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The Stoppit Microphone Pop Filter provides a 6inch diameter and includes a gooseneck and clamp.
The steel clamp easily attaches to your mic stand, and the gooseneck allows proper placement of the
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Protect your mics against wind interference and singers' spit with an On Stage Foam Ball-Type Mic Windscreen. Designed for noral sized handheld mics similar in design to a Shure SM58, these colorful foam
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Flexible goosenecks in 6, 13 and 19 inch lengths, respectively, attach to any microphone stand or adaptor with standard 5/8 inch -27 male and female threads. Inside diameter is .338 inch.
For nearly
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Perfect for home studios! This adapter provides low-to-high impedance matching for connecting microphones or other equipment with XLR output to a 1/4 inch input on a mixer, recorder, amplifier, etc. Male 1/4 inch,
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The Ebtech LLSXLR Line Level Shifter allows you to increase or decrease signal voltage between -10dBV and +4dBu without adding noise.
The Line Level Shifter eliminates ground loop hum and converts
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The Ebtech Line Level Shifter converts back and forth between -10kBV and +4dBu. Eliminates ground loop hum. Converts back and forth between balanced and unbalanced signals. Includes RCA adapters.Solve
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These line-powered devices allow the use of remote-powered microphones with systems that do not supply phantom power. Each unit features a highly-regulated power supply which provides a constant voltage source,
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Different condenser microphones specify different amounts of required phantom power. As a rule, these ratings can range from 48 volts all the way down to 9 volts. Fortunately, there is some flexibility in terms
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The ART ProSplit provides one direct output and one transformer isolated output from a single microphone.
Applications include sending the direct output to the main or Front-of-House mixer, with the
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The ART S8 Microphone Splitter can be used to split eight balanced low impedance microphone signals into sixteen (eight pairs).
Each channel of the S8 provides one direct output and one
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Designed and engineered for high quality audio performance and functionality, the S8 3WAY is an eight channel three way microphone splitter which is ideal for live sound, recording and broadcast
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Hosa Gaffer's Tape is a real stage tape not to be confused with Duct Tape!
Gaffer's tape is made with a fine cloth weave that leaves little to no adhesive residue behind once it's removed. Duct Tape,
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On Stage Microphone Table Mount a permanent solution for microphone placement
Perfect for a variety of applications, mount a microphone or mic boom arm permanently to a desk or table top, amplifier,
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When you need your effects within reach, nothing puts them there more conveniently than the Raxxess AR5. Mount it to the top of a mic stand, or slide it under the top handle on your amp. 3 inches high, 5 inches
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The On Stage 7701B Microphone Stand is a durable tripod mic stand and boom combination and just about the best value we've ever offered.
These stands use the highest quality components. The legs fold
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The On Stage Club Pack Microphone Stand Package includes:
4 x Music People 7701B Tripod Boom Microphone Stand
1 x On Stage MC7201B Round Base Mic Stand Black
1 x On Stage
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This stand and boom package includes a 34 inch aluminum tripod stand, which extends to 62 inches and a 32 inch aluminum boom. The stand is sturdy with rubber feet and a smooth, secure clutch mechanism.
A
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The industry standard on stage and in the studio, the round base stand is a musician's staple around the world. Professional quality die-cast zinc clutch. Height: 34-60 inches; base diameter: 10 inches.
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The Live-SB Live Series stackable weighted base microphone stand features a one-hand height adjustment.
Ultimate Support has 20 years of innovation so they designed the Live-SB which is great for performance
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This Microphone Stand is an industry standard on stage and in the studio. The round base stand is a musician's staple around the world. This Quick Release version features a push-button clutch for fast 2-handed
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The Ulti Boom telescoping boom arm lets you perfectly position your microphone and a secure set-up
every time. Boom length is 18.9 to 34.6 inches.
Oversized Rotation Hub
Ultimate
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Top-mount Euro-style Telescoping boom
This is a professional boom with separate knobs for length and angle adjustment and a deluxe chrome washer.Whether on-stage or in the studio, mic booms play
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This extra-long telescoping boom has separate knobs for length and angle adjustment. Adjustable length: 32 to 48 inches.Whether on-stage or in the studio, mic booms play an integral role in microphone support.
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The On Stage SMS7650 Hex-Base Studio Boom Microphone Stand is the standard by which inferior stands will be judged.
The Hex-Base stand is equipped with 2 straight boom shafts that can be attached for
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This kick drum/amp mic stand features a 16 inch adjustable boom, comapct, U-shaped base instead of the tripod design. Heigt is adjustable from 8 to 14 inches. Base dimensions: 4.5 x 7.5 inches.Quality,
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Ideal for guitar amps, drums, guitar or bass speakers cabinets and lots of other applications. The stand is adjsutable up to 15.5 inches and the boom extends up to another 19 inches. Convenient design and
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The On Stage DS7200 is perfect for podcast mics and lots of other applications.
The DS7200 is an upgrade to the standard desk stand with an adjustable-height shaft, and a die-cast steel clutch.
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The On Stage Drum Set Microphone Rim Clip and Stand Package is the perfect package for anyone that needs to mic drums with out the bulk of a bag full of mic stands. This package includes five On Stage DM50 drum rim
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The OnStage DM50 is an affordable drum mic clamp that's easy to use and a fantastic, space-saving solution. The isolation cylinders on this clip dampen unwanted vibrations while miking your drum.Features &
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The Latin Percussion LP Claw ensures solid placement of microphones on snare drums, toms, congas and amplifiers. The Z shaped 3/8 inch diameter microphone rod allows for close, as well as extended, mic
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The Music People Speaker Stand Bag conveniently holds one or two tripod speaker stands, or an assortment of microphone stands.The Music People!
For nearly 20 years, The Music People! Inc. has been
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The On Stage Microphone Stand Bag, a must for bands, is a rugged nylon bag with enough pockets for either 3
round base mic stand bases, 3 hex-base mic
stand bases or any combination of both.
This
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